
Jacquet de Berchem - O Jesu Christe
Claudio Monteverdi - Christe, adoramus te
William Byrd - Beata viscera
William Byrd - Ave verum corpus
Antonio Lotti - Miserere
Jacob Handl Gallus - Barbara celarent
Claudio Monteverdi - Sfogava con le stelle
“Early music” does not have to be old – at least not in the sense we often imagine it to be. On the contrary, it can be lively, playful, full of emotions, rhythm and surprises. But how can we bring it closer to today’s performer and today’s listener?
The workshop will offer a look at “early music” from the perspective of a contemporary performer, whether a conductor or a singer. We will talk and solve the interpretative challenges of Renaissance and early Baroque music (Byrd, Monteverdi, Lotti….), we will discover its style, its beauty and possibilities of expression. Together we will try to demolish the myths that are often created around it and show that it can be inspiring, spontaneous and surprisingly up-to-date.
Come and see for yourself that “early music” can sound very fresh – if we are not afraid of it.

Thomas Tomkins - Cloris, whenas I woo
Thomas Morley - Fyer, fyer, my hart
John Dowland - Can She Excuse My Wrongs
Matthew Harris - Take, O, Take Those Lips Away
Matthew Harris - Sigh, No More, Ladies
Matthew Harris - It Was a Lover and His Lass
Love is a seemingly familiar and oft-discussed topic.
This time, we will experience it in several different forms – through the senses of English gentlemen, their language and poetry, and in music both old and contemporary.
In the first part, we will immerse ourselves in the world of the English Renaissance – in the madrigals of Thomas Morley, Thomas Tomkins, and John Dowland. We will sing about love passionately, disappointedly, but also humorously. We will get to know the distinctive style of each composer, but at the same time we will certainly notice the common denominators. There will certainly be some falala.
In the second part, we will hear the texts of William Shakespeare set to music by the contemporary American composer Matthew Harris. Although these are modern compositions, their expression, use of voice and poetry naturally follow on from older traditions, thus creating an imaginary bridge between the past and the present, and not only through a common theme. Each text has a different character, as does the music that conveys it. We will definitely not be bored.
The studio will offer a space to experience stories of happy and unhappy love, to search for a common breath and sound, and to discover how close musical worlds separated by centuries can be. It is intended for those who are close to early music but also want to try something new, as well as those who do not normally sing early music and want to get to know it from a new perspective, in dialogue with contemporary works.

Arnošt Košťál - Už je slunko
arr. Tereza Staňková - Ej, vandrovali hudci
arr. Jiří Tichota/Michal Hájek - Na tej lúce, na zelenej
arr. Eugen Suchoň - Bodaj by vás čerti vzali
Pärt Uusberg - Õhtul
He who tunes, caresses the soul. Come and enjoy the common choral vibration in broad consonances and harmonies and the pure purity of choral unison on the basis of known and undiscovered folk tunes. Lidovka is the grunt and to Bohemka the cork – so let's open it!

The songs will be selected before the start of the holidays, and I will deliver the sheet music by the end of July.
An invitation to Bohemka is always an impulse for me to be able to (have to…) sit down at the looper and notation program and start trying to transform Czech and Slovak songs into a choir outfit. So that anyone interested in a joint choir voyage has a clear or at least a semi-clear idea of ??what the studio will be about, I will only reveal that the songs will have a unifying theme – WEATHER.
It is difficult to predict what kind of (weather) will accompany us on our joint journey in Liberec in August. So, sunny, UNDER A CLOUDY and downright cloudy songs are sleeping in the drawer.
We will be able to realize their final form for the first time at Sunday's concert, but we should have a good time together on the way to this goal ????

trad. Turkish, arr. Masis Aram Gözbek - Sabahın Seherinde Ötüyor Kuşlar
trad. Norwegian, arr. Gunnar Eriksson - Gjendines Bådnlåt
Lars Jansson, arr. Gunnar Eriksson - To the Mothers in Brazil / Salve Regina
trad. Turkish, arr. Hakan Önsöz - Kızılcıklar
Consuelo Velázquez, arr. Mikhail Serkov - Bésame Mucho
Samo Vovk - Ta na Solbici
Keith Hampton - Praise His Holy Name
What happens when voices and feelings from different places come together?
In this workshop, we’ll travel through music. From a quiet morning in Anatolia, where a melody rises with the first light... to a Norwegian lullaby drifting through still mountains. We’ll enter the sound of Brazil through an emotional, atmospheric prayer, a cry for compassion and hope that speaks far beyond one place. Then everything shifts into warmth, love and passion. First with a playful 9/8 song from Thrace, and then "Bésame Mucho", where every phrase feels like it might be the last... We’ll celebrate and dance in the energy of a Slovenian village, full of rhythm and movement, and finally come together in a powerful gospel - lifting the sound, the space, and each other.
Each piece is a different world. Together, we’ll make them one! We’ll work, explore, move, listen, and laugh, through exercises, shared moments, and real connection. Step by step, we’ll build the energy, and a strong group feeling that will carry us all the way to the stage. And because we come prepared, we’ll also have the freedom to enjoy the process, to play, and to create something truly alive together. There will be focus, intensity but always with warmth, openness, and the joy of singing. By the end, we won’t just be standing next to each other. We’ll be singing with each other, breathing together, shaping something real and having an unforgettable experience!
Come join us! Bring your voice, your energy, and let’s make something extraordinary!